
I've been engaged in an interesting online discussion among empty sign enthusiasts. . .we've been theorizing about their ubiquity and their deeper meanings. . . .
(pictured here is an old piece of art that DANIEL OSBORNE gave me. . .I glued it into my notebook (2006?) and added a random caption).
here are some links and ideas:
-DELETE art project, suggested by HERMANN ZSCHIEGNER
-architect TIM NICHOLS' collection of empty sign photos
-HIROSHI SUGIMOTO's theatre photos
-ED RUSCHA!
A FEW IDEAS ABOUT EMPTY SIGNS:
-why we do love these empty signs so much? Why does the absence of information have such an appeal?
Maybe because the empty billboard is a sign reduced to a mere signifier, pointing only to its own existence. A classic ready-made. And our "avantgarde trained minds" really respond to that. Can we ever overcome Duchamp? Should we? (hz)
-empty signage indeed appeals to our inner duchampian aesthetics, but it may also appeal to our secret desire for emptiness/ moments of visual rest in our urban/suburban world, smothered in advertising. (kt)
-those empty signs harken to our endtime fantasies. . .evidence that the machine is falling apart. . . the floating walls are left unmanned. (kt)
-there's also that utopian staple (for some anyway): a symbolic tabula rasa --the iconic empty billboard. a blank space at 48' wide. . .the ultimate chance to start the message over. (kt)
